Photoshop and Performance Enhancing Drugs

Sometimes….. the debate about “Photoshopping” one’s photographs seems akin to the current controversies about athletes using Performance Enhancing Drugs.

“You didn’t Photoshop that picture did you?” They’ll ask, knowing full well everybody’s doing it.

I can’t imagine a human-powered sport that doesn’t involve the ( illicit ) use of these drugs. Ever since the Russian women powerlifters were accused of using PEDs many decades ago ( “Daddy, why do those women look like Men?” ), the drugs have become a requisite if you want to make a living off of your athletic abilities.

Anybody who thinks you can be at the pinnacle of athletic-sports and not used them is probably under the influence of some other drugs.

So be it too for photographs that have been enhanced by Photoshop (this being the “generic” term for enhanced or modified photos).

If you’re making your living with photography and you can create the photo in few hours, that would have taken a few days to set-up and shoot (and possibly with poorer results), it’d be foolish not to use the most expedient tool for the job.

No client is willing to pay for the extra time just to allow for a “real” photo and as budgets and time-schedules are crunched, people will go looking for the most efficient way to accomplish the goal, that being a publishable picture that meets the clients needs…nothing else.

Now, mind you, this doesn’t in anyway condone the use of these Performance Enhancing Drugs, they are bad for the health of the athletes who use them and are unfair for those who’d like to be able to compete on their own abilities without the use of drugs.

It will also be interesting to see, if the drugs can be truly eliminated from sports, if we have a temporary regression in athletic prowess while the playing field once again returns to pure human-performance, and the record-books are adjusted accordingly.

So be it too in the use of Photoshopping. One shouldn’t move pyramids, darken complexions, adjust elements of news photos in order to improve composition or to put a visual slant on a news story (good thing the mass-media doesn’t lie, or we’d all be in trouble…), but, after the dust settles, Photoshop is here to stay.

That’s not to say that there aren’t a lot of photographers getting most (if not all) of the image “in camera”, but on a day-to-day commercial (or academic) basis, photoshop is the place to be if you want to keep up.

Let’s hope that soon, the same’s not true of the drugs.

About Jim Dennewill

A Southern California native, Jim Dennewell has had a fascination with photography since elementary school. Weaned on his family's old Kodak Brownie cameras (you know, the ones where everything moves backwards in the viewfinder), Jim has fostered his love for the art and tech of photography over the years. Originally known here as "Slightly Out of Focus," Jim is one of our favorite authors.

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February 21, 2008 
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Amy and I were having this conversation a few days ago and I mentioned that Photoshop is basically a digital darkroom. In the darkroom you could adjust, crop, focus, paint, cut and paste, mangle and tease a photo into submission, and when it was film this was considered art. Now it’s cheating? I don’t buy that notion.

I’ve used computers for digital imaging for as long as consumer equipment has been able to do digital imaging (my first tablet was in 85) and while I’ve spent hundreds of hours working with chemicals, removing emulsion, burning myself with hot wax, all sitting in smelly and dark rooms, I don’t consider those days “good,” just “old” and I’m glad I don’t have to go back.

But then again, I AM pretty lazy.


I totally agree with you, Chris. I keep going back to the (unknown) quote ” Ansel Adams would have loved Photoshop”.
Yeah, you’re an old “Digital Dog” like me…Photoshop Version 2 and my first “digital” camera wasn’t even digital, it was a Sony “Video Still Camera” which took floppy disks. Like you, I saw the handwriting on the wall, the future was here to stay.
Can you learn as much in the “Digital Darkroom” as the old, smelly kind? At least as much (if properly taught) if not more.


Here here. I totally agree. Photoshop and other photo editing software is basically a digital darkroom. We digital photographers cannot be expected to do without a tool that has been in use for “real” photographs for 100 years. The equipment may have changed, but the spirit of their use has not.

There may be a line that shouldn’t be crossed in photo editing, but that applies to traditional photographic techniques as well. Without photographic composites, there would have been no special effects in movies prior to 1995, and without careful retouching , the movie stars of the 1940’s and 1950’s would definitely not have hired George Hurrell to take their pictures.


Excellent points, Stephanie! May I also take this opportunity to congratulate you on your 2-year DP Blog anniversary!
Certainly right about the new/old photo-techniques and regarding the photographic-composites you mentioned, where would all be without the photo of the flatbed truck with the “car sized” Idaho potato on it, or the infamous Jackalope of legendary fame?
Photoshop rocks!


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