Macro Photography-Up Close and Personal Pt. IV

Lighting

In addition to a good camera support, the next thing (or maybe simultaneous-thing) that will help get sharp macro-photographs is supplemental – lighting. (”supplemental” is a latin-word which is derived from the 2 base-phrases, the first being “Suppli” which means “soft” and “Mental” which means “mentally-imbalanced”. Although I was not a latin-major in school, I would assume from this that it means “soft-imbalanced-lighting”…but I could be wrong…).

For Macro-photography, usually the on-camera flash doesn’t work too well (not always, but pretty-much).
Primarily because of it’s brightness at close-distances, and it’s close-proximity to the lens centerline, it either blows-out the little thing you’re trying so hard to get a photo of or it doesn’t help because the lens casts a shadow right where you want the light to be (still waiting for that bendy -light prism -flash….).
The next move would be to have an accessory-flash that mounts to the hot-shoe. Remembering all the caveats of the on-camera-flash, the best flash for this purpose is the Macro-flash.
Traditionally this has been in the form of a ring-light that mounts the power-unit to the hot-shoe, and the actual flash (ring-light) in front of your lens. Many ring-lights have a means for exposing one or both halves of the light to change the shape and brightness of the light.
This gives you the ability to have more of a side-lighting to accentuate textures, or drop down the background. It’s gives you a picture with lighting that is less-flat than a full ring-light. But if you need flat-lighting in your picture, a full ring-light is the cat’s meow.
All of the major camera manufacturers make ring-lights, Nikon’s SB-29 is a good example, and many after market manufacturers like SIGMA and PHOENIX make them.
I have always been envious of the Olympus twin-flash setup and the Canon Twin-light setup. It looked to be a good way to have versatile macro-lighting.
Well the powers-that-be in Nikon-land have answered my prayers! They’ve introduced an awesome new macro flash system (actually 2 systems, one for the Pro cameras, like the D2x etc, and one for the Pro-sumer cameras like the D200 and D70 that have built-in pop-up flash), it looks very similar to the Olympus / Canon systems but is expandable and (yes, yes, yes!!) is part of the AWESOME i-TTL system.
The Pro-sumer series is called the: R1 close-up wireless system, and the primary difference between it, and the R1C1 Wireless Close-Up Speedlight System is the R1 doesn’t include the SU-800 controller head. It’s controlled by the pop-up flash on your compatible Nikon Camera (D70, D50s, D-50 D-200) in Commander mode.
The SU-800 controller gives you the control versatility of the SB-800, plus, if you’ve been using an SB-800 flash in the hot-shoe, it frees the flash up to be used elsewhere, as a remotely triggered slave.
My R1 system is coming today via UPS (I got it here) and I’m anxiously awaiting it’s arrival as I have some ophthalmic micro-devices that I’m shooting and want to try the system out. Should be cool.
Speaking of i-TTL and the SB-800s, in the wireless remote-commander mode, they give you great capabilities for macro-lighting. You might have to power then down a trifle, but between the i-TTL system, and the great adjustability of the cameras and flashes, they make a great wireless flash system (as do the SB-600s).
A good flash system can give you the ultimate in sharpness for your macro-photography by allowing you to have a fast shutter speed, a longer depth-of-field, and the ability to freeze the subject for the duration of the flash.

So, having said all of that, I hope you’ll give Macro-photography a chance and try it at any (or all) levels, it’s way cool and you can do it in your jammies!
Enjoy!

HTB

About Jim Dennewill

A Southern California native, Jim Dennewell has had a fascination with photography since elementary school. Weaned on his family's old Kodak Brownie cameras (you know, the ones where everything moves backwards in the viewfinder), Jim has fostered his love for the art and tech of photography over the years. Originally known here as "Slightly Out of Focus," Jim is one of our favorite authors.

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April 16, 2007 
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